Empowering the feminine on stage

up next

natasha, pierre, and the great comet of 1812 - writer’s theatre, running through november 3, 2024

billy and the situation - one night only, ars nova, november 21 2024

waitress - paramount theatre, february 2025

Kate wears a black sheer dress and is in mid movement with one leg and both arms thrown out to the side and her hair flying above her

katie spelman is a chicago-born, brooklyn-based choreographer, director, and intimacy director who creates work with an emphasis on story, the feminine, and collaboration.

in addition to appearing on stages all over the country, her work has been presented in tokyo, london, scotland, switzerland, and australia.

Katie wears a black sheer dress and is in mid movement standing on the tips of her toes with both knees bent at 90 degrees and one art raised gracefully above her as the other caresses her chin

 katie has been the recipient of a helen hayes award, the agnes de mille commission from SDCF, appeared on the broadway women's fund women to watch list, the inaugural list of theatrely’s 31, and has been nominated for multiple joseph jefferson awards. she recently completed her training as an intimacy director with IDC, under the mentorship of claire warden.

spelman made her broadway choreographic debut this spring with the notebook; she was also the associate choreographer on moulin rouge for the boston, broadway, and australian companies, as well as a dance consultant on the west end and first US national touring productions. she was an associate on amelie, american psycho, and once on broadway.

recent credits

Katie is wearing a white blazer against a black background. She is sitting backwards on a black wooden chair, with one hand resting over the back of the chair and one elbow propped up and a hand supporting her head.
  • the notebook (broadway, schoenfeld theatre)

  • leftover men (goodman theatre, new stages reading)

  • swearing in english (ars nova, ant fest 2024)

  • the music man (marriott theatre - jeff nominations: best director, best choreography, best musical, best ensemble)

  • hello kitty must die (edinburgh fringe festival)

  • cabaret (barrington stage company) (berkshire theater award, best choreography)

  • an american tail (world premiere) (children’s theater co)

  • day 365: live from the rainbow room with dylan mulvaney

  • once (writers theatre - jeff nominations: best director, best musical, best ensemble)

  • the beautiful game (toho productions, tokyo)

  • the notebook (world premiere) (chicago shakespeare)

  • AD 16 (world premiere) (olney theater) (helen hayes award for outstanding choreography)

  • aren’t you glad you stayed in (TEAM petri project)

  • billy and the situation (new york comedy festival, edinburgh fringe festival)

  • the who’s tommy (denver center)

  • oklahoma! (goodspeed; connecticut critics nomination for best choreography)

  • cabaret (olney theater company; helen hayes nomination for best choreography; paramount theater, joseph jefferson nomination for best musical)

  • the first live-streamed musical on tik tok, for you, paige

collaborations

Many image of Katie in different positions and movements are superimposed over each other in this black and white still image of movement
  • philadelphia theater company

  • lookingglass theatre company

  • ars nova

  • shakespeare theatre company

  • writer’s theater

  • camerata bern

  • children’s theater company

  • court theatre

  • the hypocrites

  • tik tok

  • asolo repertory

  • ensemble studio theatre

  • timeline theatre

  • sideshow theatre company

  • the new colony

  • northwestern university

  • the inconvenience

    broadway associate:

  • once, american psycho, and amelie;

    off-broadway associate

  • nytw, the vineyard, and the public

Photography