Empowering the feminine on stage
up next
natasha, pierre, and the great comet of 1812 - writer’s theatre, running through november 3, 2024
billy and the situation - one night only, ars nova, november 21 2024
waitress - paramount theatre, february 2025
katie spelman is a chicago-born, brooklyn-based choreographer, director, and intimacy director who creates work with an emphasis on story, the feminine, and collaboration.
in addition to appearing on stages all over the country, her work has been presented in tokyo, london, scotland, switzerland, and australia.
katie has been the recipient of a helen hayes award, the agnes de mille commission from SDCF, appeared on the broadway women's fund women to watch list, the inaugural list of theatrely’s 31, and has been nominated for multiple joseph jefferson awards. she recently completed her training as an intimacy director with IDC, under the mentorship of claire warden.
spelman made her broadway choreographic debut this spring with the notebook; she was also the associate choreographer on moulin rouge for the boston, broadway, and australian companies, as well as a dance consultant on the west end and first US national touring productions. she was an associate on amelie, american psycho, and once on broadway.
recent credits
the notebook (broadway, schoenfeld theatre)
leftover men (goodman theatre, new stages reading)
swearing in english (ars nova, ant fest 2024)
the music man (marriott theatre - jeff nominations: best director, best choreography, best musical, best ensemble)
hello kitty must die (edinburgh fringe festival)
cabaret (barrington stage company) (berkshire theater award, best choreography)
an american tail (world premiere) (children’s theater co)
day 365: live from the rainbow room with dylan mulvaney
once (writers theatre - jeff nominations: best director, best musical, best ensemble)
the beautiful game (toho productions, tokyo)
the notebook (world premiere) (chicago shakespeare)
AD 16 (world premiere) (olney theater) (helen hayes award for outstanding choreography)
aren’t you glad you stayed in (TEAM petri project)
billy and the situation (new york comedy festival, edinburgh fringe festival)
the who’s tommy (denver center)
oklahoma! (goodspeed; connecticut critics nomination for best choreography)
cabaret (olney theater company; helen hayes nomination for best choreography; paramount theater, joseph jefferson nomination for best musical)
the first live-streamed musical on tik tok, for you, paige
collaborations
philadelphia theater company
lookingglass theatre company
ars nova
shakespeare theatre company
writer’s theater
camerata bern
children’s theater company
court theatre
the hypocrites
tik tok
asolo repertory
ensemble studio theatre
timeline theatre
sideshow theatre company
the new colony
northwestern university
the inconvenience
broadway associate:
once, american psycho, and amelie;
off-broadway associate
nytw, the vineyard, and the public