“…this is revival work of the highest level — and a remarkable showcase of what this young director can do.”

• Chris Jones The Chicago Tribune

“…in director Katie Spelman’s masterful staging, she makes the audience complicit with the monstrous evil encroaching on Berlin and the world around it….the choreography’s evolution is vividly expressive and technically impressive.”

• Catey Sullivan, The Chicago Sun Times

“…for openers, ms. spelman’s choreography uses the shallow space of the stage so creatively…this ‘oklahoma!’ is as close to ideal as can be imagined.”

—Terry Teachout The Wall Street Journal

“katie spelman’s choreography is witty; the cast members must think as well as dance on their feet.“

—Ben Brantley The New York Times

“…gorgeously staged…Spelman turns her ensemble of women away from being merely acolytes and toward a powerful, supportive tribe….this feminist tilt works quite beautifully.”

—Chris Jones The Chicago Tribune

“…a highly creative production…with the help of some subtle choreography from katie spelman.”

—Chris Jones The Chicago Tribune

….with hypnotic choreography by katie spelman…there is such a sense of alienation and honesty at work here that you can feel the growing pains of the show’s early twenty something characters in all their feverish intensity.”

—Heidi Weiss The Chicago Sun Times